Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Here are all the paintings of Raimundo de Madrazo y Garreta 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
28790 A Gypsy Raimundo de Madrazo y Garreta A Gypsy mk61 Oil on canvas 65x49cm
97290 Florentika Raimundo de Madrazo y Garreta Florentika 1930(1930) Medium oil on canvas Dimensions 96.7 X 63.4 cm cyf
97287 Kostanjevica Raimundo de Madrazo y Garreta Kostanjevica 1930(1930) Medium oil on canvas Dimensions 54.6 X 65.8 cm cyf
11863 Marquise d' Hervey Saint-Denys Raimundo de Madrazo y Garreta Marquise d' Hervey Saint-Denys 1888 4' 4 3/4'' x 2' 8 3/4''(134 x 83 cm)Bequest of Mrs.d'Adelsward-Pourtales,1934
97288 Piknik Raimundo de Madrazo y Garreta Piknik circa 1931(1931) Medium oil on canvas Dimensions 44 X 62.8 cm cyf
28791 The Model Aline Masson with a White Mantilla Raimundo de Madrazo y Garreta The Model Aline Masson with a White Mantilla mk61 Oil on canvas 65x52cm
97291 Toskanski motiv I Raimundo de Madrazo y Garreta Toskanski motiv I circa 1930(1930) Medium oil on canvas Dimensions 56.3 X 46.1 cm cyf
97292 Toskanski motiv III Raimundo de Madrazo y Garreta Toskanski motiv III circa 1930(1930) Medium oil on canvas Dimensions 48.7 X 60.9 cm cyf
71890 Versailles, le jardin du Roi Raimundo de Madrazo y Garreta Versailles, le jardin du Roi 1914-1920 Oil on canvas 17 x 30 cm

Raimundo de Madrazo y Garreta
Spanish realist Painter , 1841-1920 Son of Federico de Madrazo y K?ntz. Because of his ability and training with his father, Federico, in the Real Academia de S Fernando in Madrid and with L?on Cogniet in Paris, he seemed destined to continue the family tradition of academic painting. However, due to the influence of the Belgian Alfred Stevens, of his brother-in-law, Mariano Jos? Bernardo Fortuny y Marsal, and the Parisian environment, he exchanged dry historical painting (e.g. Arrival in Spain of the Body of the Apostle St James, 1858, and Ataulfo, 1860) for the preciousness of the tableautin, the small, intimate genre painting. He lived in Paris and New York and became so remote from Spanish artistic life that he and Fortuny y Marsal were the only Spanish artists not to participate in any national exhibition, and because of this the Spanish state never directly acquired their works. In 1882, with Giuseppe De Nittis, Stevens and the gallery owner Georges Petit, he co-founded the Exposition Internationale de Peinture, designed to promote foreign artists in Paris. Madrazo Garreta's most characteristic works are the female portrait and the witty and elegant genre painting, with soft, delicate tones and suggestive poses. The influence of the Rococo and of Japanese art is reflected in his painting, which expresses an exquisite aristocratic or bourgeois ideal, the illusion of a refined, sensual and superficial life. Consequently,
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